Tuesday, May 15, 2012

Week 5 Homework

Why do you think John Proctor decides to confess? Why does he change his mind? Give evidence for both your answers. Post on your blog before Friday's lesson.


I believe John Proctor decides to confess as he values his life very much, in particular his wife Elizabeth Proctor and family. He does not want to leave her, and admires her very much. In the early beginning of their conversation, John asks how the baby and his sons are going. After hearing about them, he decides he wants to confess, probably due to the fact he wants to be there for his family which he loves very much.  He was very confused about his decision, he asked Elizabeth for her advice on the situation, her reply simply being "I cannot judge you, John, I cannot!" It is his choice to sign his name on the confession documents. However, John has a change of heart as he begins to sign the confession. Rebecca Nurse, who along with John is also to be hanged that morning for involvement with the devil, says something to him that will question his next move. Danforth asks Rebecca to confess as John did. Rebecca, surprised and disappointed in John, replies, "Oh, John - God send his mercy on you!" Danforth repeats, a little frustrated, "I say, will you confess yourself, Goody Nurse?" but Rebecca replies with dignity, "Why, it is a lie, it is a lie; how may I damn myself? I cannot, I cannot." After this, and when Parris and Danforth announce his signed papers will be shown to all at the church window, John decides he would rather stand for the truth and support his friends. He couldn't bare to sign away his name and be damned to hell for lying and sinning. He decides he is a good, honest man, and that is the way he will die too.


Sunday, May 13, 2012

Week 4 Homework #2

Re-read the final scene between John and Elizabeth. Elizabeth refuses to advise her husband but she clearly has a point of view on his situation. In her heart, what does she want him to do? What would she say to him if she could? Post to your blog before Monday's lesson.


In this scene, we see a strong display of hidden emotion from Elizabeth. When her husband refuses to confess, instead facing the harsh consequence of being hanged, Elizabeth remains quiet and composed. She does this as she realises the good and honest man her husband is. John is a faithful and loyal man with good morals, he would rather perish whilst standing for the truth rather than walk away a free man only carrying the conscience of having told a lie. Elizabeth knows this is a decision her husband must make, as if she were to convince him to confess then she knows quite well he would suffer his life with the burden of not having told the truth, and fought for justice. She would rather see him go as a good, kind man who did the rightful, honest thing and be proud of himself for it than see him suffer in his lies. So, although she does very much wish her husband would confess and live, she knows it is a choice he must make on his own and she respects that very much. 

Week 4 Homework


Read Danforth's speech to Elizabeth at the top of page 116. It begins "Goody Proctor, you are not summoned here for disputation." Danforth has asked Elizabeth to speak to John to try to get him to admit his guilt. Elizabeth does speak to John but she does not reply to Danforth. Construct a response to Danforth. What do you think she might have wanted to say to him in response to his accusation that she is "stone"? Make your response as long as Danforth's speech. Due Friday. Post on your blog.

Tuesday, May 8, 2012

HOMEWORK 2



The Crucible Act 1 In his introduction of John Hale starting on page 37, what attitude does Arthur Miller take to the belief in the devil/evil spirits? Write a paragraph response using quotations in support of your explanation. This is quite a difficult passage. You will need to read it carefully and give your response some thought. Post on your blog by Monday 8.20.


When John Hale is introduced into the script The Crucible on Page 37, Arthur Miller expresses his beliefs and opinions on the devil, and evil spirits that follow. Miller describes the Devil as 'a weapon designed and used time and time again in every age to whip men into a surrender to a particular church or church-state.' He conveys the idea that the church, or christian community, have moulded and enthused the idea that the devil is simply a creator and cause of death or unexplainable evil. He quotes that 'until the Christian era the underworld was never regarded as a hostile area', and it was seen that all gods were useful, important and generally kind to man. Miller proposes the idea that perhaps the discovery of the 'Devils work' is a tool, or a scare tactic, the church may have used to draw people into their community, to preach and pray so that they may not be condemned to hell. The Church community defies that everything pure, wholesome, and good to be related with God's work, whilst anything to do with wrong doings and evil, peculiar happenings must be the work of the devil. Miller supports this when he writes that "sex, sin, and the Devil were early linked.” As human beings, we look for a balance and we constantly seek answers and information behind the way things occur. In the play, there are an abundance of strange occurrences, with no explanation the village people are convinced into thinking that it is evil spirits taking over. Through the use of the character Mr Hale, Arthur Miller inflicts an opinion that the devil is more or so a creation grown by the Church from ancient beliefs that has been indented into our minds; and consequently as the curious creatures we are we have adapted to believing in such reasons for evil as we search for answers in all occurrences of our lives. 

Thursday, May 3, 2012

English Homework #1

choose two characters - one to whom you respond positively and one to whom you respond negatively. What aspects of the text have positioned you to respond this way? You may want to consider representations, characterisation and voice. Quote in support. 

Character I respond positively to: Abigail - This may come as a shock, as people have labelled Abigail to be a 'compulsive, selfish liar', and in many ways she can be. But although Abigail does show some negative character traits, from a certain perspective I admire her strength, and her determination. She knows exactly what she wants, and she will go to great lengths to get it. Abigail possesses a passion to achieve what others would be frightened to. Despite her youth, she is not afraid to stand against those older than her to fight for what she desires, even if it may be for the wrong objectives. In Act One Abigail says to her uncle Parris with a temper: " My name is good in the village! I will not have it said my name is soiled! Goody Proctor is a gossiping liar!". This shows she is not afraid to defend herself and defend her role in society, and she is cunning. She is able to persuade people in a decisive cunning way. And although there are traits about her that repulse me, I find her interesting and very clever.  


Character I respond negatively to: Mrs Putnam - I do not particularly think fondly of Mrs Putnam as she is appears small minded, and tends to blame other people on the unfortunate happenings in her life. She blames her midwife on the loss of her babies, when really it was just a terrible event that they were weak and had perished. She believes everything others say, without finding evidence or trying to look for truth. This, in a person, I do not admire. When people believe rumours as soon as they're spoken they are not very smart, and I think Mrs Putnam is a liar and a phoney who thinks too highly of herself. 

Saturday, October 9, 2010

John Marsden - Biography


John Marsden is known as one of Australia’s best known teen authors, has produced some of Australia’s best loved books and is also recognized as being a highly acclaimed picture book writer. Marsden is the author of a collection of widely popular novels, some including The Tomorrow Series, So Much to Tell You, Creep Street and The Ellie Chronicles. The Tomorrow Series, including 7 fantastically written books, was surveyed amongst 40,000 people as being Australia’s fourth favourite book of all time and quoted by the Daily Advertiser as, ‘...without a doubt the best series for young readers that an Australian writer has ever produced’.

John Marsden was born in Victoria, Australia, in 1950 on the 27th September. His father was a bank executive who fought with distinction in World War One while his mother was a strong person who believed in the value of education and she did everything possible to give her children successful starts in their career. Marsden was the third of four children and spent much of his childhood growing up in rural Australia, moving from Victoria to Tasmania and finally to Sydney.

Marsden went to many primary schools and from grade 4 his teachers were encouraging him to become a writer. At the age of ten he attended The King’s School Parramatta, a strict military school in Sydney, and stayed at the school for the next 7 years. Upon completion of his high schooling, Marsden began a Law/Arts degree at the University of Sydney, and worked in a variety of jobs, at a mortuary, in a sideshow, as a security guard, at abattoirs, hospitals, morgues and even a haunted house. But Marsden grew a sense of alienation and loneliness, deriving from family rifts, educational experiences and his own personality, resulting in his dropping out of University and eventually being admitted to a psychiatric hospital. John went on to become an English teacher, where he accidently began the success of his career by writing a short novel for his disinterested yr 9 English students.

John Marsden writes about universal themes and situations. He often writes about being confined, like in his books Checkers, Letters from the Inside, So Much to Tell You and The Great Gatenby. In many of his books, the main character or characters often reflect on themselves personally, and analyse the behaviour of themselves and those around them. This is common behaviour for someone being confined to do, which maybe the reason for his use of describing confinement. Marsden often creates cliff-hangers and suspenseful or surprising twists to his novels, leaving the reader with a thirst to read further, “The reader is unwittingly flung headlong and gasping into the plot.. the images created are so vivid that they stay with you long after the book is reluctantly closed on the final page” – Melbourne Herald-Sun. He has abandoned the rule of ‘edit as you go’, but instead prefers to write at full throttle, not worrying about editing until he had completed the book. Marsden also tends to write from a female perspective and with much emotion and feeling. It’s his personal touch and reflections on the situation that helps to connect the reader, and his ability to create the reality of the event that differentiates him from many other well-known authors.

Marsden’s first book, So Much to Tell You, was published in 1987 at age 37, and took him a mere three weeks to write. His landmark Tomorrow Series is recognised as the most popular book series for young adults ever written in Australia and describes the personal journey of a group of teenagers and the perils they must face to save their home and their loved ones. The book has been translated and published all over the world and won numerous awards including The Alan Marshall Award, The Christopher Medal (USA) and the National Children’s Book Award (Australia). The first book of this series, Tomorrow When the War Began, has been reprinted 26 times in Australia. Free copies of Tomorrow When the War Began were distributed to hundreds of thousands of Swedish teenagers, after it was selected by their peers as the book reluctant readers would be most likely to enjoy. In Australia alone, a country of less than 20 million people, John has sold over two and a half million books, making him a hugely successful and celebrated author.

John Marsden is an extremely talented writer and possesses a passionate and creative spirit. He has always been determined, with a will to encourage the creativity and honesty of the youth of today. He exposes his readers to the more intimidating or feared aspects in the world – such as war, and deals with them in a personal and eye-opening way. Marsden’s ability to connect with the readers and provide a realistic atmosphere to his stories is one that many writers dream to have been gifted with. John Marsden is and forever will be, a legendary author.

Saturday, August 28, 2010

Wish upon a Silver Fish

For our english homework we have to write a short story about one of the poems we have studied in class. I based my story on the poem 'Looking Glass River' by Robert Louis Stevenson ~






Wish upon a Silver Fish



It was the perfect moment, perfect place, perfect timing. My heart was pacing so fast I felt as if it would pop out of my chest any second. The butterflies in my stomach were desperately flapping for air, and I flet a sensational, warm shiver up my spine. His lips pressed against my cheek, so soft and sweet.





"Mel, that was the best kiss ever", he smiled.





His name was Jase and he was the most interesting person I had ever met. He was a year older than me, 17. His eyes were a beautiful opal colour with skeckled blues, aquas and greens. Will's hair was dark, and fell in tiny ringlets under his ears. But it was personality I had fallen in love with, he was a gentlemen, kind and caring, funny and patient.



Will and I had known eachother since we could walk, and we'd both been raised in the remote mountain village, Honeybee Valley, named after it's wide abundance of honey bees.



He took hold of my hand and smiled, "There's something I want to show you"



Will's muscular arms lifted me from the ground with complete ease. I had know idea where he was going to lead me, but I trusted him. We were in the rainforest for a picnic that day, and the only sounds that could be heard was the gentle coo of a King Parrot and the cracking of sticks and twigs from the bony feet of a scrub turkey.



As he lead me deeper in into the brush, past the irish green ferns and moss-covered stones, I could just make out the sound of a stream gliding over clean gravel and in between the water reeds.



We arrived in a paradise of sailing blossoms, gleaming water and sleek little martens that dipped their heads in the water in serach of fish.



"Oh Will! This is beautiful!"



"I knew you'd like it", he grinned.



I explored for some time, following my coloured face in the reflection of the water. It was then however, that the silver sparkle of what seemed to be a fish drew me so close to the water that I slipped and fell headfirst into the pool of glass. My fall had caused the water to ripple on the surface and I could see the blurred shadow of Will, racing over to pull me from the glassy bottom of the stream.



I tried desperately to pull myself to the surface but something was dragging me down, the water was much deeper than what I had thought it would be.



For several minutes my mind was blank and I floated helplessly down to the never-ending bottom of the stream to where I could, once again, see that shining silver fish. It's head was narrow and delicately curved, it's scales were twinkling with silver and its tail was so very long that it stretched for almost a metre, curling elegantly at the end.

The fish was only a few feet from me now, floating there as still as a statue. And then that's when I heard it, the soft whipers, not from the fish but from everything in the water - the rocks, the reeds, the guppies.

"This place is a secret place... secrect from humans... it is our home.... our haven... we cannot loose it to humans again... it is the only safe place for us"

I floated in the water, unaware I hadn't taken a breath for 10 minutes. My skin was pale, paler than it usually was let's just say, and I couldn't feel anything, not a single emotion, not shock, astoundment or amazement, nothing.

Still to be continued....